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It's not much, but I suspect most were hoping for lighter rather than heavier! I've had enough emails show up in my inbin asking me where I was at in my field testing and review of the Nikkor 120-300mm f2.8E lens that I thought a quick update here was merited. Bird Love explores the diverse range of family relationships in birds around the world in fascinating detail. ), 25-point, 49-point, 105-point. exotic birds and fruit (expanded ed.,digipack) (3cd) 5013929460348 a salty dog (lim.ed.,digipack) (2cd) 0602527065472 notes & rhymes proclaimers 5099950533022 dance school prinzhorn 0194398661520 welcome 2 america(dig) prince 0081227427221 0603497846535 sign the times (digipack) (2cd) 0603497846566 sign the times (del.ed.,digi) (3cd) 0603497861293 And, the 500mm PF with the Nikkor TC-14E-III (1.4x) teleconverter is very good optically. Ultimately this testing (and the subsequent analysis of the original raw images plus downsampled images) was done to answer two primary questions: 1. I use my Z7 for landscape shooting and, when the scene justifies it, wider-view wildlife shots (i.e., animalscapes). As mentioned above, I know of few people who regularly grab their 500mm f4's, hang it around their neck and go for a walk in the woods "just in case" they happen to run into a scene or subject suited to a 500mm focal length. Most users of it will want it as robust as the D6. Note that the camera used and exposure info for each shot is shown in the border on the top left corner of each image: • Female Common Merganser - Just Cruisin': Download Image (JPEG: 0.9 MB) ), but there are a large number of new twists or new customizations available within the AF system. The Great Bear Collection: Empty for now, but I'm currently selecting the images and writing the content for this collection. And, in OS1 mode it also produced a high degree of stability in subject position in the viewfinder (and on the image sensor), i.e., it had a low HJ Factor in OS1 mode. To those who may not remember what happened with that "surprise" here's a super-brief explanation: Way back in late 2015 and early 2016 EVERYONE in the camera industry knew Nikon was about to announce their new flagship DSLR - the D5. I'm also thinking that somewhere along this path I'll be shedding some other cameras, like the D500 (almost immediately) and my Z 7II (about when the Z 9 begins shipping). The two lenses I am referring to are the Nikkor 24-120mm f4S and the Nikkor 100-400mm f4.5-5.6S. Wait for a high ISO "specialist" mirrorless camera from Nikon? Others may have more manual dexterity than me, but of the three programmable buttons on the front side of the D6 (i.e., Preview, Fn1, Fn2) the only one I can quickly get to and HOLD while shooting is the Fn1 button (I reserve the Preview and Fn2 buttons to features that function with a quick push and then "stick" - like "Framing grid display" and "Viewfinder virtual horizon"). 2. First off, it's my opinion that the handwriting is on the wall regarding the long-term future of the DSLR (and, in the shorter term, how much more development of cutting edge DSLR products we'll see). When combined with the TC-14EIII and shot at 400mm the Nikkor 120-300mm f2.8E produced a much higher rate of sharp shots than the Nikkor 180-400mm f4E (shot without its built-in TC engaged). The entire reason I bothered examining this is that in the three months I have been shooting the Z 7II I had the anecdotal "feeling" that I was getting better ISO performance out of the Z 7II relative to the Z7. None that I could find if you compared full resolution files. While these two pro-level mirrorless cameras differ quite significantly in specifications (most notably in resolution with the A9 at 24 MP and the R5 at 45 MP), both models are clear statements that their makers KNOW that the future is mirrorless for all categories of users - from novices through to professionals. • VERTICAL CONTROLS: BUILT-IN OR "TACKED ON"? I've accepted I will have to live with this limitation - I'm not a casual street shooter anyway...and going to a specific location to shoot a specific subject is what I do! LibriVox About. I've long said that I like focus points to be relatively small - and with small "jumps" between successive focus points. And when I find the 400mm f2.8S outperforms the incredibly strong 180-400 at both 400mm and 560mm I will very likely sell the 180-400mm (sorry, despite how good the 180-400 is, I will be shocked if the Z-mount 400mm f2.8S isn't noticeably better). For those who missed it or would like to see it again...here you go: My next live presentation is on November 18 and is entitled "Getting the MOST Out of Your Raw Wildlife Images!". After filling out the order form, you fill in the sign up details. Then came the 120-300mm f2.8E, and it matched (or exceeded!) At this point the review includes its Introduction and a section on Physical Characteristics. Critically to wildlife shooters, both the optical performance and the autofocus performance of the 120-300mm extended to situations where teleconverters were used. The D6 is almost impossible to match in ISO performance! I think so. Probably not. Yes, AF speed does take a noticeable hit if you add a TC-20EIII (2x) teleconverter to a super-telephoto lens and it's not that different in size compared to an FTZ adapter...but that 2x TC has a whole lot of glass elements in it (7 elements in 5 groups) and you lose 2 full stops of light with a 2x TC. Keep your D5 or D6? Note that this image was captured as a RAW file and I "played with" 3 different methodologies for noise reduction (NR) on these shots: A) Using ONLY selective NR in Capture One Pro 20.1; B) using the DEFAULT NR in Capture One Pro (applied non-selectively) PLUS Topaz DeNoise (Vers. Of course, if/when Nikon introduces a higher resolution option in a mirrorless body (e.g., 60 MP) I will certainly consider it. And while we knew that the D6 jumped up to having 105 selectable AF points from 55 on the D5, we were told nothing about the Dynamic Area patterns of the D6 (beyond the fact that the camera still had Dynamic Area focusing). My response to both of these items is pretty much the same: If Nikon fulfills your "alternate wishes" and the Z 9 comes without integrated vertical controls and/or with a tilting LCD, and if MY Z 9 breaks down in the field because of durability "frailties" associated with either of these features, I will hold you personally responsible and hunt you down!! ;-). Since picking it up - and for most of the remainder of this week - I am in what I call my "Just Shooting" phase of testing it. After all, it may well be the last DSLR I ever buy! Users of cameras with User Settings - like the D750 (and the Z6 and Z7) - know how handy that can be. And for those seeking "just the facts"...here's the EXECUTIVE SUMMARY: At 420mm the Nikkor 120-300mm f2.8E plus TC-14EIII combination performed superbly - over all 4 test distances and all apertures (and when factoring in central region sharpness, edge sharpness, and bokeh) it wracked up more first-place rankings than another other 420mm "solution" - and by a wide margin.

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