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Whiteread has said of this sculpture that she was trying to "mummify the air in the room," hence the title. In Rachel Whiteread’s sculptures and drawings, everyday settings, objects, and surfaces are transformed into ghostly replicas that are eerily familiar. Untitled (Paperbacks) is the negative cast of the interior of a library, turned inward; a room filled with the spectral marks of books whose contents and titles appear to be lost. National Gallery of Art, Washington, Gift of The Glenstone Foundation @ Rachel Whiteread. Watch the film to learn about making and casting with a two-part mould. Through casting, she frees her subject matter—from beds, tables, and boxes to water towers and entire houses—from practical use, suggesting a new permanence, imbued with memory. Despite an early rebellion against her mother’s line of work, by her late teens Whiteread was set on following in her footsteps. Plaster and polystyrene, 185 x 90 x 20 cm; weight: 672.403 lb. For this how to, inspired by Rachel Whiteread’s use of domestic objects, we cast a light bulb. Whiteread, Rachel, 1963-, Space (Architecture), Architectural casts, Installations (Art) Publisher Ostfildern-Ruit : Hatje Cantz ; New York : Guggenheim Museum Publications Collection guggenheimmuseum; americana Digitizing sponsor Metropolitan New York Library Council - METRO Contributor Solomon R. Guggenheim Museum Library Language German The backbone of this exhibition is 15 of Rachel Whiteread's sculptures dating from 1988 to 1996 and made mainly from plaster, rubber or resin. Whiteread creates plaster casts from objects and spaces, evoking physical memories of them. An intimate portrait of British sculptor Rachel Whiteread as she unpacks her life's work for a major retrospective at Tate Britain in London. Rachel Whiteread, Ghost, 1990. Born in London in 1963 to Thomas Whiteread, a Labour-supporting teacher, and Patricia, an artist, Rachel Whiteread grew up surrounded by politics and art from a young age. Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the 20th century. Courtesy of the artist @ Rachel Whiteread. Rachel Whiteread's memorial sculpture at Judenplatz in Vienna. 269 x 355.5 x 317.5 cm. Image courtesy of BmoreArt. In her breakthrough 1990 work Ghost, Rachel Whiteread created a positive from a negative, making a plaster cast of the interior "void" of a Victorian parlor measuring approximately 9 feet wide, 11 1/2 feet high, and 10 feet deep. Her work explores themes of memory and absence, casting sculptural forms from familiar domestic objects small and large, from sinks and hot water bottles to living rooms - and a terraced house. You can cast just about anything. The work includes casts from tables and chairs, baths and sinks, as well as two large pieces made by casting the spaces under floorboards. If the film leaves you feeling really inspired, follow our step-by-step below and have a go yourself. Plaster on steel frame. Rachel Whiteread became the first woman to receive the Turner Prize with her sculpture House (1993), a replica of the interior of a condemned London house created by filling a house with concrete and stripping away the mold. Cast like Rachel Whiteread. Whiteread has said that when casting she needs to be clear in her mind, right from the start, about what the end result is going to be, while construction is much more flexible. Rachel Whiteread, Shallow Breath, 1988. Happily, she has both languages at her disposal.

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