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The movie was directed towards the teenagers because of their growing population and use of money for fashion and entertainment. . Jim Stark is the protagonist of the film, and the "new kid" in town. Social Issues in Rebel Without A Cause Rebel Without a Cause is a movie that was released during 1955, that followed the character Jim Stark and overcoming social issues that come along in the film. . 11. More that any other film, in fact, Rebel sympathizes with youth. (Stern 86). “I mean if he had the guts to knock Mom cold once I bet she’d be happy and I bet she’d stop picking. (285). . This realization occurs at the planetarium when he witnesses his son’s emotional and physical vulnerabilities: (Stern 71), Jim explains the current situation to his parents—Buzz’s death, the part he has played in it, and all of its ramifications: “But I am involved! Whilst you can view this separately they also wear them in 3 points of the films, Judy at the beginning, Jim in the middle and Plato at the end. I don’t think I can prove anything by going around pretending I’m tough anymore, so maybe you look like one thing but you still feel like another. In the police station at the beginning of Rebel we see a March of Dimes poster on a pole. It’s not just time that makes the movie’s emotional core feel outdated. This also means it has been incorporated into the Dramatica Story Expert application itself as an easily referenced contextual example. Judy falls in love with Jim and is happy, something she never thought she could be; the Stark family is united with the indication that they will be a happy family: The thematic conflict that Jim must grapple with is the absence of a secure family home life that he so desperately needs to counteract the outside world in which he is vulnerable. I thought . Ray:  But you don’t think that’s a solution. She believes, Patrick Henry And Thomas Paine And The Declaration Of Independence, A Good Man Is Hard To Find Literary Analysis, Rhetorical Analysis Letter From A Birmingham Jail, Poetry Analysis Of Natasha Trethewey's Native Guard. Buzz:  I like you, you know? Upon meeting Jim, Plato—a friendless misfit—immediately looks up to him as a father figure. . An example of this conflict occurs when Jim informs his parents of the fatal car accident: Judy's her residual anger, and Plato's peace. Father: Why’d you get drunk? The film itself spawned a series of inferior films that exploited this subject matter and theme more than it did. Jim is a sensitive, vulnerable, and rebellious youth. As an example, he demands yes or no answers from his parents. He first befriends Plato, who has just been released from juvenile for killing puppies. Rebel Without a Cause filmed in 1955 is cleverly shot by Ray and is an example of a family melodrama where it’s meaning is heightened by aspects of mise en scène. Mom? . As an example of his family not addressing serious issues, they move from town to town leaving at the first hint of difficulty and not allowing for healthy problem solving. The film stars James Dean, Sal Mineo, and Natalie Wood. Rebel Without a Cause (1955) Plot. It challenged the ideas of masculinity and it was a social commentary on the men returning home from World War II and it was a movie about the … At the beginning of Rebel Without a Cause, it is clear that father and son love each other, yet they cannot relate to one another. Judy appears as “a dirty tramp” (Stern 5) to her father because of her red lipstick, when she is just trying to act like a grown woman, using a woman’s props; Jim imitates a siren. In filming Rebel Without A Cause, Ray employed CinemaScope technology, a recently patented anamorphic lens used to present feature films in an ultra-widescreen format. He goes to many people that he knows and they tell him what is wrong and what can be fixed in his life, but he doesn’t want to accept it. Let me try to be as strong as you want me to be” (Stern 116). Salinger, Holden Caulfield flunks out of Pencey Prep and leaves to New York. Showing all 5 items Jump to: Summaries (4) Synopsis (1) Summaries. According to the test results, it is clear that Ishmael Beah is still affected by his past experiences when he was a child soldier. Rebel Without a Cause at first may not seem to be a film primarily about dating, but a consideration of its formal structure and narrative choices points to the theme's centrality. The film … Buzz figures out that by calling Jim a “chicken” he can get a rise out of him; Jim discerns the real cause of why his family cannot stay in one place is predominantly because of his mother; and so forth. Mother: Jimmy, you’re very young—and a foolish decision now could wreck your whole life. Frank tries to relate to what Jim is going through, such as starting a new school, by regaling his son with memories of his own experiences. There is not anything abstract or out of place, and everything is very appropriate. Every time you can’t face yourself you want to move and you say it’s because of me or the neighborhood or some other phony excuse. Mother:  A minute ago you said you didn’t care if he drinks. As an example of how Jim is driven by “hunch,” in the police station he is in danger of acting on his intuition that he may cause violence: “I swear you better lock me up. As an example of how attention is focused on expectation in the objective story, Jim expects the same kind of amused reaction from the kids when he “moos” at the planetarium lecturer’s discussion of the Taurus bull that Buzz received when he imitated the Cancer crab; Judy anticipates the same kind of affection from her father as a teen that she had always received as a little girl; Jim’s family expects he will make friends if he can stay out of trouble; and so forth. Because Judy does not receive love or affection from her father, she has a skewed outlook on love. A Rebel Without A Cause is a movie directed at the young adults of the 1950s. Rebel Without a Cause. I want him to teach me how and I bet he won’t get mad if I goof. Rebel Without a Cause review – an imperfect film, but James Dean still has an extraordinary, feline potency. When Frank falters, Jim demands: “You better give me something, Dad. The storyline focuses on a troubled teenager named Jim. Country: USA. Jim Stark is a “vulnerable, sensitive, self-destructive loner” (Peary 283) who is trying to make friends in a new town and find peace and parental guidance within his own home. The delinquents also terrorize the Stark household, alerting Jim’s parents to the possibility that their son is in trouble; and so forth. For example, he believes his mother runs the family because his father won’t stand up to her. . An example of how the conflict between desire and ability is explored in the objective story can be found in how the kids interact with each other and their parents. James Dean portrays a normal teenager who gets into trouble through the influence and actions of others. An example of an unessential restriction put on the requirement of “becoming” is illustrated by Plato’s desire to be part of a happy family with Jim as his father: Jim reflects his rebellious natures. Find composition details, parts / movement information and albums that contain performances of Rebel Without a Cause, film score on AllMusic Frank Stark is too ineffectual a man to be of use to his son, leaving Jim feeling alone and disassociated from his family. Would you go with me? I had to go or I would never have been able to face any of those kids again” (Stern 71). Jim:  Buzz? 30/11/2015 Rebel without a cause is a drama focusing on a group of rebellious American teenagers. As they explore their relationship, it becomes evident to Frank that Jim does not respect him as a man or father, yet at the same time is desperate for his father to fulfill those roles. Dad—Dad—don’t. if you could only have been my father . His parents, not wishing to stick their necks out, try to talk him out of it. . Analysis:. A benefit accrued by Jim and Judy on the way to the goal of being part of a functional family is their developing romance; Jim feels confident enough in the way things are going, such as his interest in Judy, to remark to his parents: “You know something? You must have had a reason” (Stern 13). . He takes the position that what works for him in one situation holds true for another in the same situation. Mother: Well, it doesn’t matter anyhow—because we’re moving. The film depicts troubled teenagers looking for answers and contemplating about their lives. In one sentence, he told a journalist visiting the set, ‘he fails to provide the adequate father image, either in strength or authority'” (qtd. As the title states, their causes are impossible to define. A movie that includes a variety of elements deserves being awarded one of the best American films of the twentieth century and that motion picture happens to be Rebel without a Cause. Jim:  Dad—answer her—aren’t you going to stand up for me? The storyline focuses on a troubled teenager named Jim. . One of the most popular exponents of the previous thesis is Edward N. Luttwak’s “Give war a chance”, where he argues, Analysis/Interpretation He explains the importance of taking this step, but instead of giving the guidance that Jim needs his father can only offer empty platitudes as to why he shouldn’t make himself vulnerable to the law and potential trouble. (the pounding ceases) See? (283). .It’s the age when nothing fits. The main conflict is held between non-formed rebels wanted to overthrow the power government Ba’ath Party and the resignation of the Syrian president Bashar al-Assad, whose family rules the country since 1971. Her name is Judy. Patent #5,734,916; #6,105,046. An example of how the objective story explores a certain way of thinking is when Buzz indicates to Jim that he likes him, just before the chickie race. The reason that I say this film is flawed lies in the actions of Plato near the end of the film. Jim tries to solve his problems by first taking action. As Jim involves himself in dangerous and illegal activities, Frank must overcome his ineffectualness to be … Now, Dad—I need an answer now” (Stern 54). There was an uncertainty in whether the decree was issued correctly or not; Russian officials were already, 2. Perhaps the film has dated that much, as the idea of teenage angst has taken on an entirely new meaning today than it did in 1955. Rebel Without A Cause (Movie): Summary & Analysis Summary:. FILM INFO Title: Rebel Without A Cause . Conflict occurs between father and son when they cannot engage in the kinds of activities that will bring them emotionally closer. Rebel Without a Cause showcases the coming of age genre perfectly. One of the boys is wounded by Plato. The tragedy of Plato’s death brings the Stark family, that (for now) includes Judy, closer together. In his movies he provided a character that every teenager either wanted to … can you answer me now? Ishmael Beah says: “ I had become addicted to them. Jim is at Plato’s side. I’m going to smash somebody-I know it” (Stern 15); it is a problem for Jim that he and his family never have stayed in one place long enough for him to make friends. The cold and righteous attitude Frank’s mother exhibits has caused him to smother his own child with friendship and affection, but without the authority and discipline his son needs. Rebel Without a Cause is iconic, even today, though the emotional punch of its melodrama has faded with the years. Jim's mother dominates his father while Judy's father dominates her whole family and despises her. Once Frank is able to realize his own worth, especially as a parent to Jim, he can stand up for himself and his son. Getting money isn’t the problem of teen-agers in Rebel. That movie showed how life back then was changing and it presented the ending where someone doesn't live Jim is steadfast in his desire to be part of a functional family. ‘Cause you were in trouble? represented in films but it is more directly represented in films now than in older films in the early and mid twentieth century. Only "East … (Stern 15). (the father is mute, helpless . ‘Rebel Without a Cause’ Lesson Objectives: To be able to analyse the representation of youth in ‘Rebel Without a Cause’. Father:  Listen—nobody should make a snap decision . The film revolves around protagonist, Jim Stark, as he starts a new school after running away from several others. Rebel Without a Cause uses the drama of these teenage years to reveal the truth. The acerbic comment Frank’s mother makes after Jim explodes in anger in the police station “Well you know who he takes after” (Stern 14) is an indication of the kind of childhood Frank must have had. This study examines the issue of freedom of information in the story of literary oppression found in Fahrenheit 451 by Ray Bradbury. "Rebel Without A Cause" Movie Trailer Conclusion The purpose of the movie, Rebel Without a Cause, was to show more reality than the everyone-lives-happily-ever-after ending. Not to be outdone, Buzz and his thugs challenge Jim to a "Chickie Run" with Buzz and Jim racing stolen cars towards an abyss. The film takes a sharp turn in the scene outside the planetarium when Jim and Buzz engage in a knife fight. Frank fails to provide Jim with the parental instincts his son requires. Jim: You better give me something, Dad. Costumer designer Moss Mabry carefully chose Dean’s outfits throughout the film to reflect his character’s state of mind. Mother: Are you going down there? The score in Rebel Without A Cause is much like another film starring James Dean, East of Eden. . I have a feeling we’re going to stay here” (Stern 19); and so forth. (Stern 58). For the Stark family to be a happy, functional family, Frank must overcome his weaknesses and become a real father to Jim; to be part of a peer group family, one must first become friends with the gang; and so forth. As they explore their relationship, it becomes evident to Frank that Jim does not respect him as a man or father, yet at the same time is desperate for his father to fulfill those roles. What evidence can you identify to support it? Instead of actually delving into Plato's true character and motives by having intelligent and realistic dialogue and actions, he is just made to go batty, wherein he spouts off his thoughts as if he were some eight year old or man-child. This is a film about juvenile delinquency, but from this poster we see immediately that director Ray is on the side of all kids—who have all sorts of problems to contend with (including diseases that usually strike the young). 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