dust my blues
I'm gonna get up in the morning, I believe I'll dust my blues Gonna get up in the morning, I believe I'll dust my blues I gotta find my baby, I ain't got no time to lose I'm gonna write a letter, believe I'll send a telegram I'm gonna write a letter, believe I'll send a telegram I'm gonna wire my baby, tell her where I am [27], "Dust My Broom" was one of the earliest songs Elmore James performed regularly while he was still living in the Mississippi Delta in the late 1930s. [22] Conqueror Records, which were sold through Sears and Roebuck department stores and its catalogue, pressed an unspecified number, although Conqueror usually only issued Vocalion's best sellers. The boogie bass line, adapted for guitar from the piano boogie style, is one of Johnson's major innovations. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. [A G E Em B Am Bm] Chords for Spencer Davis Group - "Dust My Blues" (1966) with song key, BPM, capo transposer, play along with guitar, piano, ukulele & mandolin. ags, mexico. [38], Since it was originally released by Trumpet, the original recording does not appear on many of James' early compilation albums by Crown/Kent. Download Pdf. It also has been selected for the Blues Foundation Blues Hall of Fame, the Grammy Hall of Fame, and the Library of Congress' National Recording Registry. As with most of his recordings, it appears that a second take of the song was recorded and assigned a reference number. Blues researcher-writer Edward Komara has suggested that Johnson may have begun developing his version as early as 1933. [1] James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. She left me soon this morning, and she's got me in an awfull jam Unlike some of the earlier songs that influenced Johnson, "I Believe I'll Dust My Broom" does not feature a bottleneck or slide guitar. I gotta leave my baby, I gotta leave my hapy home. But why “dust my broom”? Music historian Elijah Wald calls the result "a more cohesive lyric than either of the Arnold pieces [and] concentrates on the theme of traveling, and being away from the girl he loves". As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as "Pinetop and Lindberg" in 1932. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as "Pinetop and Lindberg" in 1932. The song also features Johnson's use of a repeating guitar figure consisting of fast high-note triplets. Amber stitching. These are taken from topical events, including the Second Italo-Ethiopian War, the Japanese invasion of Manchuria, and the creation of the Commonwealth of the Philippines. Elements of "Dust My Broom" have been traced back to several earlier blues songs. A later session in Chicago produced "I Believe", a "Dust My Broom" knockoff, that became a number nine charting single and the first issued on the new Modern subsidiary Meteor Records in 1953. I don't want no woman, that'll treat me wrong all the time [6] This riff came to define the song,[18] although Johnson also used it in several other of his songs, including a slide version for "Ramblin' on My Mind". "I believe I’ll dust my broom" is an old saying meaning to make a new start. I believe, I believe my time ain't long [6][16][a] To facilitate his fingerpicking style, Johnson also used an open tuning. Gonna get up in the morning, I believe I'll dust my blues [30] However, Williamson and James' cousin, Homesick James, later claimed that McMurry secretly taped the performance and that Elmore was so upset that he was unable to record a B-side. Now I'm going to ring up China yeah man, see can I find my good gal over there (2×) Most Blues metaphors are quite obvious. [6] The song is performed in the key of E at a moderate tempo of 100–105 beats per minute. I've got to leave my baby, and break up my happy home, James' song also followed Johnson's melody, key, and tempo, but adhered more closely to the chord changes of a typical twelve-bar blues. [30] James, who provided the vocals and amplified slide guitar, is accompanied by Williamson on harmonica, Leonard Ware on bass, and Frock O'Dell on drums. Sizes: S … [36] "Dust My Blues" is perhaps the definitive re-recording of the James' original, with an updated accompaniment. 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